Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Jean Baptiste Camille Corot
Le chevrier de Genzano (mk11)

ID: 21039

Jean Baptiste Camille  Corot Le chevrier de Genzano (mk11)
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Jean Baptiste Camille  Corot Le chevrier de Genzano (mk11)


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Jean Baptiste Camille Corot

1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.  Related Paintings of Jean Baptiste Camille Corot :. | THe Wagon | Diane surprise an bain par Aceon (mk11) | Villeneuve-les-Avignon (mk11) | Gypsy with a Mandolin | La dame en bleu (mk11) |
Related Artists:
LEFEBVRE, Claude
French painter (b. 1637, Fontainebleau, d. 1675, Paris
Cornelia Kuemmel
1863-1938
Theodore Gericault
French Romantic Painter, 1791-1824 Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Gu??rin, a rigorous classicist who disapproved of his student impulsive temperament, but recognized his talent. The Charging Chasseur, 1812.Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Vel??zquez, and Rembrandt for about six years, from 1810 to 1815. There he found a vitality which he preferred to the prevailing school of Neoclassicism.






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